![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge2Uq8Ph6CaaNY_lS2vazcEDlUzKO3MI8tQcjH5Pk9FO1Rz0ZY5E2Feqi61eAbqMNEqGrSi0O7gcBcJWZXDcuAAPRkh59XLTnb6_v6Zi-hkrIsrBnX1VdAyKbF1C28-F34hUKW5Gu__So/s320/Pharrell-Paper-Magazine.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV5WKHAKnQXiPqrtsQx4NLkVLfZ6BmpoG-3CDrCZ9NG4bXrCNnwLtq979KzJZTgZrZZjjE-FIk5tIo3OT17rt1zhux1Y9Eg79vDCcCpIxRNmPa2p3WAABbLD4tRjDWsQ7j5dEbdZOvS_0/s320/pharrell-paper-mag-3.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirh48IAKcktVFcFQCGbdtMxMxGsvXu8BpuowYwMtax1VF6g-8mUQ8H8frzCwX4S8p20JaTEW9e-ZVoBMP20daT9EPlMpjJTV2SyQDn5pFWIoYWcM9yGF2yvVDFLyy1k8E2aNH6lYhxFm8/s320/Pharrell-Paper-Magazine-2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMldfkbbizZJltBLyEpTIgP1KD0vyfgAKI3L0zEvEctG4CPelvwZ1Yy9tqXLXb6ALNFl-lpkZkKVGZFokMtm88_W6ykiGG2oeqDdBgvFjRC2E4Slj4U0WXCfsx9pytlLJDHCtzc0bVT4E/s320/pharrell1-thumb-500xauto-34189.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyCRcGiX-LDUuZnxk_TgXVUaeDhTPN3m7MPJe9uDQDWda6tUiLNrl5TtynhyaQztx4gYUUkniSt43aoHysajjJUqwuP6Umh52qQfHqv7AXjfIjX8iPpRZOMo3uA56g_Mxz_0YFjIgga_g/s320/pharrell6-paper.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHSncaW6t9vm2NInuBtrlM0iFEDloNf0Quwi2nS2J0rmq2KWQXJgipNZkqO_sVXUe4bcWkxR-2xo_uAzPDlOJ0cRDVjCaOM8fUhK6-y7vZJ33OhTamJWfla0Fz9nAFA0rd6lsyjabIxGk/s320/pharrell4-paper.jpg)
Shepard Fairey interviews Pharrell for the cover story of the latest issue of Paper Magazine. These two collaborators (Shepard Fairey designed N*E*R*D’s brain logo) discuss skateboarding, branding one’s image, collaborations with FriendsWithYou and Louis Vuitton, his new projects with Brooklyn Machine Works and Artist.com, and pushing the commercial/art movement forward.
In the excerpt below, Pharrell discusses meeting BAPE founder Nigo and starting up BBC/Ice Cream.
SF: I’m curious about your relationship with [Bathing Ape designer/music producer] Nigo, who I feel is like the Japanese Warhol. In Japan, in terms of the crossover between commercial projects and high-end art, there are fewer boundaries. How did you get into what he was doing with the [clothing and shoe lines] Billionaire Boys Club and Ice Cream?
PW: Well, he basically just gave me a shot. I came to his studio, he showed me some of his stuff, and I told him I wanted this, this and this. He told me to take it. I wore a lot of it, and finally he was like, “Hey, you wanna do your own line?” I was like, “Hell yeah,” and so the rest was history.
No comments:
Post a Comment